Travel log

coucher du soleil


Old Québec is the most popular tourist destination in Québec and features many of the greatest restaurants in the city. In the tradition of Serge Bruyère, many fine chefs in Québec are found in Québec city. Let us mention Jean-Luc Boulay (Le Saint-Amour and Chez Boulay), Arnaud Marchand (Chez Boulay), Daniel Vézina (Laurie Raphaël) and Louis Pacquelin (Panache) among others. Jean-Luc Boulay and Arnaud Marchand from Chez Boulay offer the experience of northern French cuisine while highlighting typical local products. It is located on the ground floor of the elegant Manoir Victoria, on Saint-Jean Street. Close by, Mr. Boulay also presides over the kitchen activities at Saint-Amour, a prominent figure of Québec’s gastronomic scene. Moreover, Saint Amour appears in Trip Advisors’ top 10 fine dining restaurants and it is not unusual to spot a celebrity seated there.

Situated in an old 18th century warehouse in Vieux-Québec and part of the Auberge Saint-Antoine, the restaurant Panache offers the refined menu of chef Louis Pacquelin. While there, you can discover the artefacts showcased on the walls of the building, recalling the rich history of the French colony.

Tourists will also appreciate Les Anciens Canadiens, a restaurant established in a heritage building, where you can discover or rediscover some of the classics of traditional Québec cuisine. Near Château Frontenac, the Continental is renowned for its flambés. Close by, Le Parmesan offers delicious classics of Italian cuisine

Vieux-Québec and Vieux-Port


Walking in the streets of Vieux-Québec is like following in the steps of the pioneers who gave birth to this nation. Founded by Samuel de Champlain as a trading post in 1608, the colony first developed around l’Habitation de Québec before expanding into the first streets traced around the Place Royale in the heart of the Vieux-Port. Restored in the early 1970s, this historical district brings us back in time to the capital of Nouvelle-France (New France) at the end of the 17th century. This was the era of Louis XIV, a bust of whom adorns the area. As I myself am a descendant of Mathurin Gagnon, who was one of the first merchants of Québec and whose home and retail store were located at the current site of the Sault-au-Matelot park (or Parc de l’Unesco), walking on the cobblestones of these historic sites is like reconnecting with the history of our roots in this country. A few steps away, Place Royale is the main site of the annual Fêtes de la Nouvelle-France, recreating the French colonial era of its original inhabitants.

In the Vieux-Port, one must absolutely visit the Musée de la Civilisation. The neighborhood is home to many gay-friendly establishments, among them the restaurant Marie-Clarisse, which was opened at the foot of the Casse-Cou staircase by nenowned chef Serge Bruyère.

Heading up to Haute-ville, one can admire the elements of fortification which have made Québec unique, for it is the only still-fortified city in North America. It is the neighborhood commonly reffered to as Vieux-Québec. Built at the end of the 19th century near the Citadelle fort, the hotel Château Frontenac rises above Place Royal on one side of the Terrasse Dufferin. The latter is a splendid walkway offering a spectacular view of the area and is perfect for romantic strolls. One can easily understand why the founders of Québec chose this strategic spot to establish the colony, which would become the capital of New France, then Lower Canada and finally, Québec.

The gay lifestyle took root fairly early in Vieux-Québec. The Sauna-hôtel Hippocampe on Mac Mahon Street, the oldest gay establishment still operating in the province (where some might recognize the interiors used for Robert Lepage’s film Le Confessionnal), has been open for over four decades. The owner, Yvon Pépin, had previously tended bar in many Vieux-Québec clubs, in a time when homosexual life was still mostly underground.

André Gagnon


After more than 30 years in the business and with a staggering number of productions behind him (including such multi-hour epics as The Dragons’ Trilogy, The Seven Streams of the River Ota and Wagner’s Ring cycle), Robert Lepage is unquestionably a giant of the theatre. So it seems apt that in his latest touring show, he roams among scale models of apartment buildings and cars like some erudite and inquisitive Godzilla unleashed onto the streets of Quebec City.

887 is both the number of the apartment building in which Lepage grew up and the name of the latest piece from his company Ex Machina. It’s also Lepage’s first solo show since The Andersen Project in 2005.

The dollhouse world created for 887 is partly influenced by an exhibition Lepage came across in an Osaka museum, which used similarly scaled-down models to make the point that memory has the odd effect of making the physical world of the past seem smaller.

“At the very start, my intention was to do something about the theme of memory in general,” Lepage explained in a brief, but characteristically articulate phone interview. “But I’ve never really started a show with a theme. I often need an object or a thing. So of course, that building where I lived, and where I was brought up in the 1960s, was an interesting object to play around with, because it contained not only my family’s story, but the life story of the neighbours also.”

As well as the apartment building on the predominantly anglophone Murray Ave., where Lepage grew up, the set — both simple and technologically complex — also unfolds to reveal the lonely nighthawk diner where his taxi-driver father would sometimes pass his time. We also see a puppet of Charles de Gaulle emerging from Lepage’s pocket to ride a tiny motorcade through an adoring crowd of Quebecers.

As a man in his late 50s, it’s understandable that Lepage is mining memories of childhood and family for his material, although he is on record as saying that virtually every show he has created is in some way autobiographical — a form of therapy.

But 887 would seem to be Lepage’s most directly autobiographical piece so far. Its origins lie in an amusing bit of pop-quiz fluff.

“The theme of memory came from quite trivial things,” Lepage explained. “Why is it that I can remember so easily the lyrics to the opening theme song of Gilligan’s Island? Why do I remember these trivial things and I can’t remember the names of important collaborators?”

The show’s theme was also born of Lepage’s difficulty in learning the words of Speak White, Michèle Lalonde’s blistering Québécois poem that denounced the dominance of the language of the oppressor. Lepage found himself pondering the phenomenon of memory after being invited to read the poem at a commemorative event in 2010. (It was first delivered live by Lalonde in the crisis year of 1970.) The poem, he explains, also provided an important signpost in the maze of memories.

“There were so many things to be said about the 1960s and my youth, my family, the political context, and all these things, and it was all over the place. And Speak White was pretty much the ideal end point, the endgame of this story. So it helped me kind of sift through it all and create a kind of structure.”

The set of Robert Lepage's 887 includes a figure of Charles de Gaulle riding a tiny motorcade through an adoring crowd of Quebecers. 

Not surprisingly, given the inclusion of Lalonde’s poem, politics is never far away in 887.

“It was a class struggle more than anything else,” Lepage said of the anglophone/francophone divide (887 is being performed only in French at TNM). “It so happened that the bosses spoke English and the employees spoke French. So it was much more of a working-class thing in the ’60s, and eventually evolved into something completely different.

“People have forgotten that, and I think it’s our job as artists to go back and try to understand why did this happen, who said what and who triggered what. I allow myself to do that in this show because those were years when I was a kid. It’s not seen through the eyes of a mature adult who votes and has a party membership card. It’s a completely different way of looking at it. It’s more poetic, it’s more personal, it’s more emotional. It’s more about family also.”

The show recalls Lepage’s life with his mother and several siblings, as well as a grandmother going through the early stages of dementia. (Lepage made characteristic connections between physiology, language and art when he mentioned research showing that “if you’re bilingual, the onset of the first symptoms of Alzheimer’s are delayed by about four years. Also, learning music late in your life is very good for your brain.”)

But the family member who emerges as the most central to Lepage’s memory play is his father — which came as something of a surprise to the artist.

“I guess it was a big shock because I always thought I was much more of a mommy’s boy,” he said. “My mom was funny and she told stories, so I always thought I became an actor and a storyteller because I carry all that from her. I always thought that my father didn’t have any real influence on my life. As I explored this idea of memory and this whole period of my life, I realized how much closer to him I was, and how I resembled him in so many aspects. I’d kind of kept that at bay for a while, for some reason, but he became pretty much central to the piece in a way I did not intend.”

NAC English Theatre
Featuring Ex Machina / Robert Lepage
When: Jan. 10 – 27, 7:30 p.m., with 2 p.m. matinees on weekends
Where: National Arts Centre, Babs Asper Theatre


Sillery, Sainte-Foy and Cap-Rouge


Sillery, Sainte-Foy and Cap-Rouge have the reputation of being the more affluent neighborhoods of the capital. This area is home of the main campus of Université Laval, the oldest francophone higher education establishment in America, where the first LGTBQ organization in the capital, the Groupe gai de l’Université Laval, first appeared.

Whether arriving in Québec from the south shore using the highway or the Chemin du Roy, or coming in from the international airport, one inevitably crosses this district before accessing downtown Québec. There are also many hotels in the vicinity of the bridges, especially along Laurier Boulevard. This might be the more practical choices for those coming into the city by car, as the old narrow streets of Old Québec where obviously conceived for horse-drawn carriages and pedestrians, not cars. Shoppers will appreciate the proximity of the shopping malls also found on Laurier Boulevard.

Coming over the bridges from this district, you should visit the Promenade Samuel –De-Champlain park along the river, which was inaugurated in 2008 for the 400th anniversary of the city. Whether arriving by foot, bike or car, the promenade offers a spectacular view of the city and leads right into historic Old Québec. This is a great way to connect with a natural environment in the heart of the city.

Sillery is certainly the most affluent neighborhood of the capital. Its trendiest street, Maguire Avenue, is an area especially appreciated by our community, offering quaint boutiques, with good restaurants and nice terraces. It also features one of the most remarkable parks in the city, Spencer Wood, which became a showcase for horticulture in North America through the efforts of its owner, Henry Atkinson. For nearly 20 years, the governor-generals of United Canada lived on the property, which was purchased by the Québec government in 1870 and served as the residence of Québec lieutenant-governors until 1966. A major fire eventually destroyed the main residence. Visit the gorgeous park by the Saint Lawrence River, the beautiful gardens and relics of the site's long history.

Villa Bagatelle, with its distinctive irregular forms and ornamentations, was built in the picturesque English architectural style of the 19th century. The cultural centre hosts temporary art and history exhibitions. The Villa is also renowned for its garden where you can admire many native plants and a range of underbrush species.

Also noteworthy is the Aquarium du Québec, with its gardens and outdoor tanks, and a main building featuring many exhibition spaces. The venue includes nearly 10 000 specimens representing 300 species of mammals, indigenous and exotic fish, invertebrates, amphibians and reptiles. Watch marine mammals, such as polar bears, walruses and several seal species, frolic in the outdoor park. Many animals from the Pacific Ocean swim in our huge 350 000-litre tank. The area overlooks the Saint Lawrence River from atop a cliff, an excellent way of discovering these faraway regions.


Trendy locals appreciate their impressive wine list and often drop by for a drink after work, or to dine on one of their many gourmet pizzas. Originality and flavour are on the menu here. Piz’za-za has an urban decor, with brick, wood and mirrors, centering on their impressive bar and open view of the kitchen. It’s on the second floor that we find the pièce de résistance, their large glass wine cellar that would make any oenophile drool. During the summer months, you’ll want to check out their lovely back patio.


The restaurant staff is remarkably friendly and quick, creating a welcoming and inviting atmosphere. Employees receive regular courses on the wines offered in the restaurant to improve their service. The menu has many charms, for example, their tomato gratin with brie and raclette cheese made with Griffon beer. Bold, simple, and exquisite. The pizzas are delicious and made with fresh ingredients like fennel, fig, mango and smoked trout, and their salads and pastas are colourful and fresh. Every season, the chef makes up a new menu inspired by seasonal local ingredients.

The restaurant also offers wine tastings hosted by oenologist Richard Charbonneau. With varying themes, these workshops are a fantastic way to discover the diversity of wines while savouring a succulent meal.

Piz’za-za is definitely worth the detour. Thanks to its proximity to Canada`s capital, it is common for locals and tourists to cross the river for some good food, good wine, all at a reasonable price. To view their menu or find out about their wine tastings, visit their website at

Piz’za-za Restau Bar à vin 36, rue Laval Gatineau, Québec

Serge Bruyère

A native of Lyon in France, Serge Bruyère fell in love with the city of Québec from his very first visit in 1976. He immigrated to its province during the Montréal Olympic Games, working at the Queen Elizabeth Hotel before moving to Québec city. Prior to leaving his native country, he had undergone his training in the kitchens of l’Auberge du Tunnel in Auvergne with Paul Bocuse and the Troisgros brothers. He first worked at the Hilton before becoming executive chef at the Éperlan restaurant. One year later, he founded the Marie-Clarisse restaurant near the Breakneck Stairs (l’Escalier Casse-cou) with another partner. In 1980, he undertook a new adventure at the Maison Livernois on Saint-Jean Street, this time on his own: Serge Bruyère’s restaurant À La Table was created. He was among the very first chefs to work closely with local craftsmen in order to obtain high quality products for his menu. Serge Bruyère died prematurely in 1994 at the age of 33. His heritage is considered enormous: he introduced an updated version of haute cuisine, laying the foundations of a gastronomy concerned with great quality and based on a relationship of proximity with his suppliers. Throughout the 14 years of existence of À La Table, Bruyère devoted time and energy in training dozens of competent chefs like Daniel Vézina, Jean Soulard and Marie-Chantale Lepage, who to this day remain inspired by his culinary philosophy.

His passion for gastronomy as well as his devotion to the recognition of the trade were immense. He knew how to transmit his enthusiasm and the importance of working with precision, and also to respect clients and producers. Bruyère is one of only two Québec chefs to be included in the Larousse gastronomique lexicon, and was the first to introduce new cuisine to the city.

He was a humble, sympathetic and respected chef. His passion for quality produce and his unfailing technique and hard work, along with the sharing of his knowledge were of utmost importance to him. The Fondation Serge Bruyère, which is dedicated to the encouragement of Québec’s new culinary talent, serves to perpetuate his legacy.


In the summertime, beach enthusiasts will not want to miss visiting the Baie de Beauport. It has been a popular cruising area for years, offering enchanting scenery on the Saint-Lawrence coastline. Every summer, visitors can practice volleyball, soccer, canoeing, kayaking and sailing, or just relax on the beach and have a swim. Baie de Beauport is located only five minutes away from downtown Québec.

At the far edge of the old port and Nouvo Saint-Roch, Gare du Palais serves as Via Rail’s terminal and links Montréal to Québec City. Built in 1915 by the Canadian Pacific Railway, the two-story châteauesque station is similar in design to the Château Frontenac. This magnificent railway station has been designated as a heritage site.

18km from downtown Québec in the Ste-Foy-Sillery-Cap Rouge district, Jean-Lesage International Airport is the world’s gateway into the capital and the eastern and northern regions of the province. It is the second most important airport in the province after Pierre-Elliott Trudeau in Montréal. Close by, the Grand Time Hotel’s two charming establishments offer travellers some well-deserved rest.


Both a capital as well as a sought-after tourist destination, Québec is a city offering a wide variety of fine dining establishments. Among the dozens of restaurants in the very popular Old Québec neighborhood, one can find the finest tables and most prestigious chefs in the city. Much importance is given to local produce and the menus are widely inspired by French cuisine. This great culinary tradition is largely the result of the efforts of the late Serge Bruyère, who was a precursor of new cuisine in Québec, updating French traditions as early as the 1970s.

From fast-food to haute cuisine, there are upwards of 2500 restaurants in the greater Québec city area, representing a ratio of 350 restaurants for every inhabitant, which is 3 times more than in New York! There are endless choices for every visitor. Beyond the Old Québec neighborhood, other areas such as Grande Allée, Cartier and René-Lévesque Streets near the National Assembly are positively crawling with great restaurants, many of which offer lively terraces in the summertime.

Many gay-friendly cafés and bistros can be discovered (or rediscovered) on Saint-Jean Street in the heart of the Faubourg Saint-Jean-Baptiste. The Nouvo Saint-Roch has also more recently emerged as a sought-after destination. The Saint-Roch and Saint-Sauveur neighborhoods offer many restaurants featuring a diverse selection of food from around the world. The more affluent Sillery neighborhood also offers excellent restaurants, among them those housed by Université Laval as well as many hotels and shopping malls along Laurier Boulevard.

Although Québec proudly displays its French character and traditions, and probably as a result of having always been a capital focused on tourism for over a century, no regional specialties are really associated with the city. That being said, Québec’s gastronomic trademark is associated with the best that French cuisine can offer and local produce of exceptional culinary quality.


In support of their highly anticipated forthcoming album Love You to Death (out June 3 on Warner Bros. Records), Tegan and Sara will hit the road this Fall for a North American headlining tour. The 40-date tour will kick off September 9th in Saskatoon and will run through November 16th in Fort Lauderdale, Florida, with stops in seven other Canadian cities in between. What’s more, for the entirety of their North American tour, Tegan and Sara have partnered with the amazing people at Plus One, who will be collecting $1.00 from every ticket sold. More info at See below for a complete list of dates.  Tickets go on sale this Friday, April 29, and will be available at

These tour dates will follow Tegan and Sara’s previously announced sold-out shows in Toronto, Los Angeles and New York this May, where the band will preview their new music in advance of Love You to Death’s release. Tegan and Sara revealed a first glimpse of the album with the release of debut single “Boyfriend” and new track “U-turn,” which have both been instantly embraced by fans and the media alike. Pitchfork featured “Boyfriend” as a “best new track,” praising the song as “peak Tegan and Sara,” and NYLON proclaimed it “is just what the electro-pop world needs – a mix of 80’s sheen with the group’s trademark openheartedness.” “Boyfriend” has exploded onto Canadian radio, where it was the #1 most added song last week.  “U-turn” is described by FADER as a “slick piece of synth-pop that’s fully absorbed the lessons of late ‘90s, early ‘00s radio hits,” and USA Today went on to declare, “Tegan and Sara have been making perfect pop songs for as long as they’ve been around, and their latest is no exception.”  TIME pronounced Tegan and Sara “bona fide pop stars,” and Buzzfeed predicted “the stars are aligned for them to become two of the biggest names in pop.”

 Love You to Death is the follow up to Tegan and Sara’s breakthrough 2013 album Heartthrob. Produced by Greg Kurstin (Adele, Sia, Beck), the album is the band’s most personal yet. Love You to Death is available for pre-order now.

Tegan and Sara Toronto, LA & NYC Shows

May 2 The Roxy Theatre Los Angeles, CA
May 3

May 6

May 9

Teragram Ballroom

Sheraton Centre

Le Poisson Rouge

Los Angeles, CA

Toronto, ON

New York, NY

Tegan and Sara International Dates*
July 22

July 24

July 25

July 26

July 28

July 29

July 31


Splendour in the Grass Festival

170 Russell

Metro Theatre

Rotunda 3 KITEC

The Star Theatre

Super Slippa Festival

London, UK

Byron Bay, Australia

Melbourne, Australia

Sydney, Australia

Hong Kong


Tapei, Taiwan


Tegan and Sara North American Tour Dates

September 9 TCU Place Saskatoon, SK
September 10 Centennial Concert Hall Winnipeg, MB
September 12 State Theatre Minneapolis, MN
September 13 Arvest Bank Theatre at The Midland Kansas City, MO
September 15 The Majestic Theatre Dallas, TX
September 16 Warehouse Live Ballroom Houston, TX
September 17 Stubb's Waller Creek Outdoor Amphitheater Austin TX
September 19 Cain's Ballroom Tulsa, OK
September 21 Ogden Theatre Denver, CO
September 22 In the Venue Salt Lake City, UT
September 25 Observatory North Park San Diego, CA
September 29 The Wiltern Los Angeles, CA
September 30 Orpheum Theatre Los Angeles, CA
October 1 Fox Theater Oakland, CA
October 3 Roseland Theater Portland, OR
October 4 Moore Theatre Seattle, WA
October 5 Queen Elizabeth Theatre Vancouver, BC
October 7 BMO Centre Calgary, AB
October 8 Shaw Conference Center Edmonton, AB
October 20 Pabst Theater Milwaukee, WI
October 21 Riviera Theater Chicago, IL
October 22 The Pageant Saint Louis, MO
October 24 Cannery Ballroom Nashville, TN
October 25 Express Live! Indoor Pavilion Columbus, OH
October 26 Royal Oak Music Theatre Royal Oak, MI
October 28 Massey Hall Toronto, ON
October 29 Métropolis Montréal, QC
October 30 Théâtre Capitole Québec City, QC
October 31 House of Blues Boston, MA
November 3 The Fillmore Philadelphia, PA
November 4 Theater at Madison Square Garden New York, NY
November 5 Stage AE – Indoor Pittsburgh, PA
November 6 9:30 Club Washington, DC
November 9 The National Richmond, VA
November 10 The Orange Peel Asheville, NC
November 11 Tabernacle Atlanta, GA
November 12 Joy Theater New Orleans, LA
November 14 The Beacham Theatre Orlando, FL
November 15 The RITZ Ybor Tampa, FL
November 16 Revolution Fort Lauderdale, FL


Following the success of their past original productions, the Segal Centre for Performing Arts is proud to present the World Premiere of a new Canadian musical inspired by the incredible, true story of Marc Hall, the Ontario teenager who took his Catholic School Board to court when they refused to let him attend prom with his boyfriend. A refreshingly fun and heartfelt story about a community coming together and being true to yourself, Prom Queen: The Musical will premiere at the Segal from October 27 to November 20, 2016.

A scintillating new musical about a story that made headlines across the globe!

 "The real-life story came complete with a charismatic hero, a national controversy and an uplifting message. With so much grand emotion and joy packed into one event - and with such an empowering universal message, Marc's story just had to be turned into a musical," stated Book Writer Kent Staines.

In 2002, Marc Hall took the Durham Catholic District School Board to court when they refused to let him attend the prom with his then-boyfriend Jean-Paul Dumond. What ensued was an international media frenzy that brought to light a fundamental human rights issue. Hall’s court battle inspired people around the globe and set a great example for others facing similar struggles.  Prom Queen: The Musical brings this important piece of civil rights history to life. Above all, Prom Queen is the story of a community coming together to support one of their own and realizing the importance of being true to yourself. It is a true celebration of individuality and diversity.

"What a joy it is to see Marc Hall’s incredible story realized as a live stage musical! Marc is a pretty modest guy who I’m sure never in his wildest imaginings thought he’d one day be celebrated as the singing, dancing hero of a musical, fighting for what is right," explained Producer Mary Young Leckie.

“It’ll be a ball! It’ll be a blast!”

 Audiences will be treated to memorable musical numbers from the young and ultra-talented songwriting team Colleen Dauncey and Akiva Romer-Segal whose signature contemporary musical theatre sound pervades Prom Queen: The Musical. Fans of Legally Blonde: The Musical, RENT, and Kinky Boots will love the way the duo captures the tumultuous spectrum of teenage emotion in song, and will leave the theatre feeling elated.

“We had a blast writing the score for Prom Queen, delving into a variety of musical genres and weaving them into our own contemporary pop sound; The song "Inside Out" is a fun and flashy 90s-inspired dance number, "Mother Mary" is a modern hymn that sheds light on a mother's inner struggle, and "The Louder We Get" is a powerful rock anthem that closes out Act 1,” said Colleen Dauncey and Akiva Romer-Segal when describing the songwriting process.

 The Segal Centre is a growing hub for producing new Canadian work

This will be the Segal’s fourth original production in the past three years. Sherlock Holmes and Belles Soeurs: The Musical have gone on to tour nationwide, while the cast album of The Apprenticeship of Duddy Kravitz: The Musical will be released in November. The Segal is also currently hard at work developing a new musical adapted from one of Quebec’s most beloved stories, the title of which has yet to be revealed, to be presented as an official event of Montreal’s 375th anniversary.

“I am proud to have made it part of our mission to dedicate ourselves to developing and producing new Canadian work. It is rewarding to create a show that can go on tour and touch audiences, both nationally and, one day, around the world. Prom Queen: The Musical is such an uplifting, universally resonant story with such incredible music that we just had to bring it to the stage,” said Segal Centre Artistic and Executive Director Lisa Rubin.

The Playwrights Guild of Canada has shortlisted Prom Queen: The Musical for the Stage West Pechet Family Musical Award at the Tom Hendry Awards 2016.

 100% Canadian

 Produced by the Segal Centre in association with Producer Mary Young Leckie (MAUDIE, starring Sally Hawkins & Ethan Hawke for release in 2017 and the television feature of Prom Queen), this original production is directed by Marcia Kash (Director of last season’s The Secret Annex). Prom Queen: The Musical is written by Kent Staines (writer of the CBC series MVP: The Secret Lives of Hockey Wives, co-created with Mary Young Leckie) with lyrics by Akiva Romer-Segal and music by Colleen Dauncey (they also wrote the scores for The Subway SongsScenes from the Bathhouse, and Bremen Rock City). The show has been workshopped with Sheridan College’s Canadian Music Theatre Project, at Theatre Aquarius and twice by the Segal. It’s ready to rock you.

Director Marcia Kash had this to say about her team, “In the last couple of years this group of extremely talented, intense, creative perfectionists has pushed and pulled itself into forming a very inventive and highly collaborative team that shares a real passion for telling this story the best possible way it can.”

Joining Marcia in shaping the production are Musical Director, Orchestrator and Band Leader Mark Camilleri, who’s collaborations with Canadian and international talent include Il Divo, Céline Dion, Sting, Eric Clapton, Paul Anka, and Sheryl Crow; and the internationally renowned So You Think You Can Dance choreographer Sean Cheesman, whose jazz and hip hop style will ignite the Segal stage.

They will be leading the highly-enthusiastic cast of 18 talented artists featuring Alessandro Costantini as Marc Hall, Jonathan Cullen as his boyfriend Jason, and stars of French stage Katee Julien and Sylvain Scott as his Acadian parents Emily and Audy. Sydney Scotia and Kolton Stewart, stars of YTV’s Some Assembly Required, will be making their Segal Centre debuts as Marc’s best friend Carly and the guy after her heart, Boomer.

David Silvestri, Zachary Counsil, Stuart Dowling, Gabi Epstein, Alexia Gourd, Hailey Lewis, Jamie Mayers, Lucas Meeuse, Mike Melino, Patrick Park, Stephanie Sy, and Jonathan Whittaker round out the stellar all-Canadian cast.

The creative team also includes Segal veterans John C. Dinning (Set & Costumes), Luc Prairie (Lighting), Peter Balov (Sound) and Luciana Burcheri (Stage Manager).

 About the Segal Centre for Performing Arts

The Segal Centre for Performing Arts is a not-for-profit theatre company dedicated to nurturing, producing and presenting world-class English-language theatre and to showcasing the best professional artists from Montreal and beyond. Founded in 1967, the Segal Centre has expanded to become a nationally recognized venue for the performing arts with a focus on creation, innovation, diversity and cross-cultural collaborations. Driven by a belief in the power of the arts to strengthen and connect communities, the Segal’s programming emphasizes original interpretations of popular classic and contemporary works, new Canadian musicals and engaging productions with universal appeal.

WHERE: 5170, chemin de la Côte-Sainte-Catherine, Montréal, H3W 1M7


MARC HALL – Alessandro Costantini

JASON – Jonathan Cullen

EMILY – Katee Julien

AUDY – Sylvain Scott

CARLY – Sydney Scotia

BOOMER – Kolton Stewart

LONNIE WYNN / DALE – David Silvestri

TRIPLE X – Zachary Counsil



PEGGY / ENSEMBLE – Alexia Gourd

TIFFANY – Hailey Lewis

NAPOLEON – Jamie Mayers

OTIS / ENSEMBLE – Lucas Meeuse

HANK – Mike Melino

MONTY / ENSEMBLE – Patrick Park

KRISTAL – Stephanie Sy



*The Actors above, except Mr. Costantini, shall all be playing multiple roles; the listed role(s) represent their primary character(s).



BOOK by Kent Staines

MUSIC by Colleen Dauncey

LYRICS by Akiva Romer-Segal

PRODUCED by Mary Young Leckie and The Segal Centre




CHOREOGRAPHY by Sean Cheesman






STAGE MANAGER Luciana Burcheri


APPRENTICE STAGE MANAGERS Stephen Alarie & Lucia Corak




TRUMPET Frédéric Bourgeault

KEYBOARD 2 Nick Burgess

GUITAR Simon Legault

REEDS Beth McKenna

BASS Evan Stewart

TROMBONE Matthieu Van Vliet

DRUMS Mark Wheaton



Price $51-$65


October 27 to November 20, 2016



Thursday, October 27 – 8:00 p.m.

Saturday, October 29 – 8:00 p.m.

Sunday, October 30 – 1:30 p.m.

Monday, October 31 – 8:00 p.m.

Tuesday, November 1 – 8:00 p.m.

Wednesday, November 2 – 8:00 p.m.


Opening Night (By Invite Only)

Thursday, November 3 – 8:00 p.m.


Regular Run:

Mondays – 7:00 p.m.

Tuesdays – Saturdays (closed Fridays) - 8:00 p.m.

Sundays – 7:00 p.m.



Wednesdays, November 9 & 16 – 1:00 p.m.

Sundays, November 6, 13 & 20 – 2:00 p.m.



An enriching pre-show lecture series moderated by Mick Côté of the Montreal Gazette featuring Richard ‘Bugs’ Burnett, Marc Hall, Mary Young Leckie and Kent Staines as they discuss queer representation in the media and explore media as a forum for raising LGBTQ issue awareness.

Sunday, October 30 – 11:00 a.m.



A chance to interact with the creators and actors of the play after the curtain goes down.

Mondays, November 7 & 14